![]() ![]() This will lock the black and white points for the scene, and will produce consistent colors for all the frames in the series. If you’re using the same lighting for all the frames on the roll (or a subset of the frames), you can lock the color balance by scanning the brightest frame in the series and then setting the Input | Lock image color option.Once you have the exposure and film base color fixed, you can scan the whole roll of film using these values. Regardless of the lighting conditions, shutter speed and aperture of each frame, you should use these fixed values for exposure and film base color for scanning all frames on the roll of film. If Input | Lock film base color is visible, set Input | Lock film base colorįor step #2 above, use a film frame that has an area that would print as pure black for negative, or pure white for slides.If Input | Lock exposure is visible, set Input | Lock exposure.If Input | Lock exposure is visible, clear Input | Lock exposure.Once you have the scans, Vuescan’s batch processing features make re-processing very quick and easy.If you’re scanning several frames from the same roll of film, the following procedure will optimally set the CCD exposure and film base color (i.e. It is essential to plan your naming and archiving system before you get serious about scanning a large number of images. Negatives are slower because you have to be present to keep loading the negative strips. ![]() ![]() If you have the automatic slide feeder, slides are easy - just stack them up and go away. You’ll find that the slow step is the scanning, which starts with making sure the film is as clean as you can get it (IR cleaning is good, but it’s not a substitute for physical cleaning). When I come to process a scan, I re-use Vuescan to read the archived RAW file as input, apply Light IR cleaning (which came to prefer to the Nikon version), and output the cleaned scan as a 48 bit raw DNG file, ready for NLP (the Vuescan instructions are a bit cryptic, but it’s all explained). I am now using NLP for negatives, previously I used ColorPerfect I also use ColorPerfect for slides. I do all my post processing with other software because Vuescan’s processing is very basic. A typical 35mm scan is about 175MB, but storage is cheap. I always scan at 4000 dpi with IR (with no adjustments) and output the scan as a 64 bit RAW (tiff) file and store these images as backed-up archives. There is a lot to learn about using Vuescan! This scanner is also called the Nikon LS5000, and you can download the manual here: I have used a Nikon 5000ED for many thousands of scans, always with Vuescan (Professional version). I think using NLP would really shorten the post processing time after scanning raw format.Īs i know Digital ICE / dust/scratch reduction doesn’t work on B/W negatives. People recommended this, but it takes a lots of time if you have a large collection of scans. I have used the scanner, prior NLP existence, only for scanning and am doing all the post processing now in Photoshop/Lightroom. In case of normal scanning (not raw), if you don’t want to do much post processing after scanning, then you better get everything done in the scanner software. For normal scanning (not raw) sometimes Vuescan does it better than NikonScan, it just depends on the film material/quality shots. Since you will be using Negative Lab Pro (NLP), then maybe its better to use Vuescan. Some people favor for Vuescan, just try it out and see which one you like. You can either install the trial version of Vuescan for its Nikon drivers or get some free 64bit usb drivers for it on the internet. Just google for it and you can download version 4.0.3. The NikonScan software was supported up to Windows Vista 32bit, but you can get it working for Windows 10 64bit.
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